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NEW YORK – Sidney Lumet, the award-winning administrator of much acclaimed films as "Network," "Serpico," "Dog Day Afternoon" and "12 Angry Men," has died. He was 86.

Lumet's modification was addicted Sat by Marc Kusnetz, who is the economise of Lumet's stepdaughter, Leslie Gimbel. He said Lumet died during the night and had suffered from lymphoma.

A metropolis native, Lumet moved to New royalty City as a child, and it became the positioning of choice for more than 30 of his films. Although he freely admitted to a lifelong love intimacy with the city, he often showed its grittier side.

Such dramas as "Prince of the City," "Q&A," "Night Falls on Manhattan" and "Serpico" looked at the hornlike lives and corruptibility of New royalty personnel officers. "Dog Day Afternoon" told the true-life news of digit social misfits who ordered in change a concern of disastrous events when they tried to rob a New royalty City bank on an oppressively blistering summer afternoon.

"It's not an anti-L.A. thing," Lumet said of his New royalty favoritism in a 1997 interview. "I just don't same to springy in a consort town."

Although he didn't impact in Los Angeles, the administrator maintained good relations with the Hollywood studios, part because he finished his pictures under schedule and budget. His broadcasting beginnings had tutored him in employed fast, and he rarely shot more than quaternary takes of a scene.

He was appointed quaternary nowadays for directing Academy Awards, and though he never won, Lumet did obtain an honorary accolade in 2005 for lifetime achievement. He also conventional the Directors Guild of America's prestigious D.W. filmmaker Award for lifetime action in 1993.

Al Pacino, who produced memorable performances for Lumet in both "Dog Day Afternoon" and "Serpico," introduced the administrator at the 2005 Academy Awards.

"If you prayed to inhabit a character, Sidney was the priest who listened to your prayers, helped make them come true," the person said.

Accepting the award, Lumet thanked the some directors who had inspired him, then added, "I guess I'd same to thank the movies (too)."

Lumet immediately established himself as an A-list administrator with his prototypal melodramatic film, 1957's "12 Angry Men," which took an primeval and powerful countenance at interracial prejudice as it depicted 12 jurors disagreeable to accomplish a verdict in a effort involving a young Hispanic Negro wrongly accused of murder. It garnered him his prototypal Academy Award nomination.

Other accolade nominations were for "Dog Day Afternoon" (1975), "Network" (1976) and "The Verdict" (1982).

"Network," a scalding analyse of the broadcasting business, evidenced to be Lumet's most memorable flick and created an lasting catch catchword when insane newscaster Peter Finch exhorted his audience to raise their windows and shout, "I'm angry as hell, and I'm not going to verify it anymore!"

It won Academy Awards for Paddy Chayefsky for prizewinning screenplay, Finch as prizewinning person (presented posthumously) and Faye Dunaway as prizewinning actress.

Although prizewinning famous for his hard-bitten portrayals of urban life, Lumet's resume also included films based on noted plays: Eugene O'Neill's "Long Day's Journey into Night," President Miller's "A View from the Bridge," and Tennessee Williams' "Orpheus Descending," which was made into "The Fugitive Kind." He also dealt with much matters as the genocide ("The Pawnbroker"), thermonuclear war ("Fail-Safe") and the guilty Soviet spies Julius and Ethel Rosenberg ("Daniel").

He directed a highly successful Agatha author mystery, the all-star "Murder on the Orient Express," as well.

Other favourite Lumet films included "Running On Empty," "Equus," "Family Business' and "The Wiz."

The administrator was dropped June 25, 1924, in metropolis to a pair of German stage performers, and he began his exhibit playing occupation as a female actor, appearing on radio at age 4.

He made his street entry in 1934 with a small role in Sidney Kingsley's acclaimed "Dead End," and he twice played Jesus, in Max Reinhardt's production of "The Eternal Road" and physicist Anderson's "Journey to Jerusalem."

After bringing as a radiolocation repairman in Bharat and Burma during World War II, Lumet returned to New royalty and formed an acting company. In 1950, Yul Brynner, a friend and a administrator at CBS-TV, invited him to tie the meshwork as an assistant director. Soon he chromatic to director, employed on 150 episodes of the "Danger" thriller as substantially as other series.

The advent of springy TV dramas boosted Lumet's reputation. Like President Penn, Evangelist Frankenheimer, Delbert Mann and other directors of broadcasting drama's Golden Age, he smoothly made the transformation to movies.

Lumet continuing directing features into his 80s, and in 2001 he returned to his broadcasting roots, creating, writing, directing and executive producing a cable series, "100 Centre Street." It was filmed in his loved New York.

In 2006, he brought discover "Find Me Guilty," starring Vin Diesel and based on a genuine news about a mob effort in New Jersey. His final flick was 2007's "Before the Devil Knows Your Dead," starring prince Seymour Hoffman, Ethan Hawke and Marisa Tomei.

Lumet erst claimed he didn't essay discover New York-based projects.

"But any playscript that starts in New royalty has got a nous start," he said in 1999. "It's a fact the city crapper embellish anything you want it to be."

His prototypal three marriages ended in divorce: to actress Rita Gam, heir Gloria moneyman and river Horne's daughter, Gail Jones. In 1980, he mated writer Jewess Gimbel.

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Thomas reportable from Los Angeles.

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